• Article Series

  • Arcs and Endings
  • Point of View
  • Structure: Examples
  • The Inciting Incident
  • The Logline

• The Tag Dept.

  3-act structure act one adaptation character consultancy dialogue dramatic irony format formatting happy ending hero's journey high concept kuleshov layout mckee michael hauge mid-point outline pitching Point of View protagonist ratatouille robert mckee scene screenplay screenwriters screenwriting script script development selling slug line software step outline story consultancy story structure synopsis The Inciting Incident The Logline The Plot Point turning point

Because the first shift of POV in a film may jolt the audience’s experience, it works best where this brief ‘disconnection’ doesn’t hurt the story: after a climax.

The start of Act Two is a good place to move to the antagonist’s POV.

We have just seen that our protagonist is ready to take on the main mission of the film. He knows what he is up against, he may even have a plan on how to approach it.

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